Tuesday, 16 August 2011

NADISHANA TRIO (Nadishana - Armin Metz - Steve Shehan) "Far&Near" CD out!

 

http://nadishana.com/cd - order CD (digipak) and listen to all samples
http://nadishana.com/fn_mp3 download @ artist website(much appreciated!)
http://www.cdbaby.com/cd/nadishanatrio - download @ cdbaby
http://bit.ly/FarAndNear - download @ iTunes


Innovative world fusion, unique style and virtuosity, unusual traditional and self-created instruments!

Nadishana Trio CD 032


Nadishana - dzuddahord, hybrid kaval, futujara, hu-lu-si, bansuri, duclar, khomus, utar, tambujira, 1tone drum, mouthbow, various perc, sounds.
Armin Metz - 6-string fretless and fretted basses
Steve Shehan - self-constructed percussion kit, brushes, hang drum, spacedrum, sagattes, kendang, steel drums, hadgini, tuned udus, piano, likembe, conga, calabash, handsonic, knong wong, various perc.
Artwork - Julia Surba

"On their first album together, the members of "Nadishana Trio" bring to the recording studio an original repertory that has been captivating audiences for more than four years of performances in prestigious venues and festivals. What has been forged through collective interactions, now becomes an original concept that captures the spirit of their fruitful kinship.
Vladiswar Nadishana, the founder of the project, is a multidisciplinary Siberian artist with a deep knowledge of ethnomusicology, playing more than 100 instruments. He is joined by master percussionist Steve Shehan, a legendary world music innovator, member of the famous Hadouk Trio, and bass player Armin Metz, versed in different styles, from electronica, pop, to world fusion. The title of the album is a suggestive metaphor of their creative road map: "Far" is geographical distance, but also it is about traditions, a journey to an ancient time when music was evolving as a fundamental ingredient of human culture, while "Near" evokes spatial closeness, neighborhood, the fresh modernistic flavor intersected with its "Far" counterpart.
The variety of the musical themes and instruments we hear is impressive. There are original compositions along with skilled solos contributed by all three multi --instrumentalists who distill and blend layers of "Far" and "Near" in a polychromatic panoply composed of a wide array of influences and sources. We are taken to explore a world of harmonies infused by a cross-cultural symbiosis that resonates with the innermost chords of the soul.
Flowing happily like a mountain spring, the invigorating "Water song", opens the journey. As the musical flow progresses we pass through a mysterious "Hidden Door", reaching the "Vast lands" of the "Sanskar Valley", charmed by a mellow "Overtone story" , before "Riding north" surrounded by the dark melodious voice of the bass.
Then comes the silky "Far and Near", a melody you wish it never ends, and the ritual-like "Kuzhebarsko Horo" reminiscent of ancestral East-European circle dances. The inspiration flies high when the adventure slows pace with the delicate oriental beauty of the "Urhat", in which Nadishana's sensuous kaval narrates an emotional intense melody. In tune with him, Armin Metz weaves rich bass tones, swirling like a snake made of velvet sounds, while sound wizard percussionist Steve Shehan radiates lights and shadows, whispers and silence, deepening the mystery.
But "Far&Near" is also an enriching sonic experience for listeners, as the album showcases a rich variety of percussion , woodwind and chords instruments of different origins, some of them invented by the musicians themselves . It is a momentary return to the sources of music when the humanity was closer to the nature than today. At the end of this fabulous journey, the three fellow storytellers leave us enchanted by the pure joy they shared with passion and virtuosity all along the way. From every angle, "Far and Near" is a vivid illustration of Longfellow's words: "Music is the universal language of mankind."
Stefan Bocioaca
www.jazzworldquest.com

Sunday, 23 May 2010

NadiSuna "Tangyr Gostandym"

http://www.myspace.com/nadisuna

Raphael De Cock - vocal
Nadishana - sansula, udu

You can't see the sansula - it's behind the chatkhan stand on the video, Nadishana plays it by my right hand while playing udu with the left hand.

Live in Karlsruhe, Germany 14.05.10

Saturday, 8 May 2010

Tsaaj Nplaim (!) and Hulusi available now

TsaajNplaim 

TsaajNplaims

Finally Tsaaj Nplaim flute from H’mong people of Laos available at our shop! This is limited offer, just seven of them are in stock. Nadishana added one extra hole for the left thumb to each flute to extend the range, otherwise the native tuning is left as it is. Tsaaj Nplaim has very haunting, tender sound, very special and instantly recognizable. The flute made from bamboo.

The approach of H’mong people to playing is very different from our western approach and very unique: for example this instrument used by them to tell stories (literally). When player performs the audience knows what story is about.

Note: the tone reference of each flute is different. on the video Nadishana plays on two of them.

____________________________________________________

The professional chinese Hulusi with 2 drones in key of Bb, tunable! You can pull the chanter and drones to tune it. Made from curbis and bamboo. There’s metal connectors to make chanter and drones detachable. Comes with hard case.

HulusiBb

 

Monday, 26 October 2009

Nadishana Trio: new project has been started

http://www.myspace.com/nadishanatrio

Nadishana - dzuddahord, hybrid kaval, futujara, hu-lu-si, bansuri
Armin Metz - 6-string fretless and fretted bass
Steve Shehan - percussion, hang drum

Three sonic travellers on their journey through scapes of ancient Kuzhebar, present ethno world fusion and future ambients melt their musical identities into one sound. Born in three different regions of the planet they came together to share their wide-spanned instrumental skills, blending exotic sculptures with earthy grooves and distinctive melodies, creating mind-shifting rhythms played with trancey facileness.

Tuesday, 13 October 2009

New CD of Steve Shehan "AWALIN" is out! (feat. V. Nadishana)

Steve Shehan, essential composer and percussionist, member of the Hadouk Trio, signs here a new challenge: AWALIN, (my promise), an album born from his encounter with the Tuareg musician Nabil Othmani, son of late great poet of the desert, Baly Othmani. "Awalin" symbolizes the evidence of a continuation, a relay, of the trust of a father reiterated by his son in respect and friendship.  Steve Shehan gave his word, his promise, during his last trip to Djanet as he did throughout his years of collaboration with Nabil¹s father. The commitment, the pleasure to continue innovating enable to convey Tuareg culture and oral collective memory, nowadays very compromised by the invasive presence of television. It was a new challenge to highlight the "word", Tuareg poetry by incorporating Nabil Othman¹s and Steve Shehan¹s creativity together with the taste and vitality of this new generation. Banjo, pedal steel guitar, dobro, classical guitar, duduk, angklung, hang, futujara, hu-lu-si, kaval, dumdum, berimbau, strings, tar, saz, Kamantche, piano, mingle with the sound of the lute and folk guitar, and with a new more African flair that Nabil offers with his sweet and clear voice.

Steve Shehan expresses once again his love of Tuareg music by surrounding himself with modern, electronic, shamanic, Berber, Brazilian, Middle Eastern, Cuban, and especially African movements, bringing together Tuareg culture and the generous universality of music. He is also surrounded by prestigious guests such as Vladiswar Nadishana, Ibrahim Maalouf, Didier Malherbe, Claude Samard, Nono Belkrief, who, beyond their friendship, bring a unique and original flavor.

Monday, 21 September 2009

Space Drum - Nadishana (my tribute to hang drum cult:)


http://nadishana.com/Rus/MainEng2.htm
this video was made at Steve Shehan's studio ( http://steveshehan.com ).
I'm playing on one of his instruments custom made for him. It's called Space Drum. This is my first try on this instrument.